The Multiply by Six Million Project

About the Project

Photographer Evvy Eisen took portraits of over 200 Holocaust Survivors in the United States and Europe and collected their personal testimonies. She created the Multiply by Six Million Project to unify the major facets of her work - Portraits, Survivor Testimonies, Exhibit and Film - and make them accessible for viewing and research.

Seeing Survivor's portraits and reading their moving testimonies presents them as individuals with unique thoughts and experiences instead of as nameless members of a massive group.

Eisen's work has been exhibited in the US and Europe. It is in the permanent collections of the United States Holocaust Memorial Museum and the Mémorial de la Shoah in Paris.

Portraits and Survivor Testimonies

Survivors wrote about the rise of antisemitism and their experiences before, during and after the war. Viewing their portraits and reading their personal writing describe the multiple traumas and profound losses that they and their families experienced.

Their testimonies provide deeply personal insights into the resilience of the human spirit revealing the strength and courage it took to survive and rebuild their lives after the war.

Full testimonies

For many Survivors, this was the first time that they felt able to write about what they had endured. Their moving testimonies describe their daily struggles as well as moments of unimaginable hardship and resilience.

Texts are organized by specific categories of each person's wartime experiences, revealing the complex realities of wartime survival.

Edited versions

Texts written by Survivors were edited for brevity and clarity for use in exhibits. These shorter versions preserve the essence of their voices while maintaining the gravity of their narratives.

Film

This short film combines photographs of Survivors and their voices recounting moving passages from their personal stories. A solo piano score composed and performed by a Survivor unites these visual and spoken elements. Emmy award winning editor Kelly Hendricks designed the film which was premiered on the Sundance Channel.

The film is divided into three parts:

• Destruction and Loss
• Lives Rebuilt
• Reflections

Exhibit

The Multiply by Six Million exhibit includes portraits of Survivors paired with condensed versions of the testimonies that each wrote. It has been presented with Michael Kenna's exhibit "Impossible to Forget - the Nazi Camps Fifty Years After".

The Multiply by Six Million exhibit is available in both virtual and in-person formats.

In the Words of Survivors

Selected portraits and moving quotations from Survivor's writing.

"When I spoke of the horrors that had taken place no one believed me. So, I found refuge in silence, I never mentioned it. But every night in my dreams, I went back to Auschwitz."

Gabriel Benichou    photo  full text

"We had to be counted in the courtyard every morning no matter how we felt, no matter what the weather, rain or cold or snow or wind. Sometimes the count lasted for hours until they got it right. But it could never be right because some of us had already died."

Leah Laskowski    photo  full text

"Our struggle to survive was not just from day to day, but from hour to hour, minute to minute."

Helen Farkas    photo  full text

"I am often asked, sometimes with barely disguised suspicion, ‘If you and your Jewish mother lived in Germany during the Nazi time, how come you survived?’ We survived because at critical moments there always appeared in our lives people who were willing to take great personal risks on our behalf."

Marianne Gerhart    photo  full text

"I smile but I do not laugh. My son was raised in a home where laughing was a crime. There are days when I wonder what I am doing here."

Clara Hilt    photo  full text

"I don’t know what kept me going. The past was gone. There was no future. I wanted to live so badly and be able to go back and tell my story."

William Lowenberg    photo  full text

"Our doorbell rang, and there stood my best friend’s brother in full Nazi uniform. The Boy Scout troop in which he had been active was a disguised Nazi den. It was the first of many disappointments in people I had thought I knew."

Erika Meier    photo  full text

"In my portrait I am wearing the jacket I wore in Auschwitz. It was my shield. I put a cement bag under the coat so the water would not seep through. When we were liberated, I kept the coat."

Sam Reselbach    photo  full text

"Most of my relatives and friends perished in death camps. I survived but lost my previous capacity for love and happiness."

John Steiner    photo  full text

"In reality, I was born twice. The first time was November 25, 1918, in Lyda Lithuania... On May 11, 1945, I was born for the second time."

Henry Bulawko    photo  full text

"On April 1, 1940, at age fourteen, I ended up all alone in a ghetto that was closed off and totally isolated from the exterior world."

Jenny Sztanke    photo  full text

"I waited and waited but no one came back. I never had any news. I don’t know how my father, my grandfather, my aunts, cousins, uncles died, in what conditions they died, where they died or when they died. I never found out."

Marcel Jabelot    photo  full text

"I remain an eyewitness to a tragic era. Things are always veiled in a shadow that never left me. It is unforgettable, haunting… I am and remain uprooted, bruised."

Paul Schaffer    photo  full text

Photographer's statement

I met with each Survivor multiple times to get to know them and learn about their life before, during and after the war. I photographed them in their home or a place they chose encouraging them to include objects of personal significance in their portrait. Some wanted to include cherished family belongings, others showed the fading numbers tattooed on their forearm. Each person looked directly into the lens of my camera so that their eyes would communicate directly with the viewer. I gave each Survivor a copy of their portrait to thank them for participating in this project.

Photographs were not digitally manipulated in any way. I used black and white film, a medium format camera and natural light. I did all darkroom work, creating individual, fine art, silver gelatin prints.

I did not accept any compensation for my work or reimbursement for expenses related to this project. I received limited grant support to pay those who worked on preparation of exhibits and creation of the film.